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Important San Ildephonso Pottery Wedding Jar by Tonita Roybal ca. 1920

$ 2244

Availability: 100 in stock
  • Condition: Excellent Condition
  • Refund will be given as: Money Back
  • Artisan: Tonita Roybal
  • Tribal Affiliation: San Ildephonso Pueblo
  • Item must be returned within: 14 Days
  • Restocking Fee: No
  • Handmade: Yes
  • Return shipping will be paid by: Buyer
  • Culture: Native American: US
  • All returns accepted: Returns Accepted

    Description

    Offered by
    Antique American Indian Art, llc
    --- AAIA--
    San Ildephonso Pottery Wedding Jar
    by
    Tonita Roybal
    (1892-1945)
    C. 1920
    1
    0 1/4" x 6 1/4" x 6 1/4"
    A superior example of the Wedding Jar form.
    Has a very slight slip hairline and very minor surface wear, but overall in
    Excellent Condition.
    San Ildefonso Pueblo artist Tonita Martinez Roybal, or Antonita, is acknowledged as one of the finest potters of the twentieth century. Had Maria Martinez not been accorded such fame, Roybal surely would have been. Her work was as fine as that of Maria. Additional to making the pottery, Roybal also painted it, something most potters left for their husbands or other relative to do for them. Tonita Roybal (1892-1945) Tonita Roybal (1892-1945) has been called, "One of the finest potters of the twentieth century." She learned to make pottery from her mother, Dominguita Pino Martinez (1860-1948). Her brother, Cresencio Martinez (1879-1918), married Anna Montoya (Maria's sister). She was also an aunt to Santana Roybal, who later married Adam Martinez (Maria's son). Tonita was married twice. Her first husband was Alfredo Montoya (1890-1913), and then in 1916, she married Juan Cruz Roybal (1896-1990). Among her descendants are JD Roybal (painter) and Margaret Lou Roybal-Gutierrez (potter). Tonita began making pottery in 1909. Starting in 1917, Juan started to paint some of her pottery, and after 1930 he painted a majority of the pieces. When Tonita made the pottery and did the painting, these pieces were signed, "Tonita." When she made the vessel, and Juan painted it, then they were signed, "Tonita and Juan." Kenneth Chapman commented in a letter on the quality and value of her work at the time, "Tonita Roybal does equally fine work, and I may be able to get just what you want from her if Maria does not get back to work soon. Tonita won first prize for her oldfashioned red San Ildefonso ware, with decorations in black (black-on-red pottery). Her husband, Juan Cruz, runs Julian a close second in decorating pottery. She put a price of .00 each on jars 8" in diameter and got it! It is hard on some of us poor ethnologists who have been encouraging it, but it has made an incredible difference in San Ildefonso life, and we are strong for it". Tonita's mother was famous for her "black-on-red" style of pottery, and this was a style that Tonita quickly mastered. After 1920 and the advent of black-on-black pottery, Tonita invented the red-on-red technique with the white outlines. Both Tonita and Juan were fascinated by pre-historic pottery. Those designs and their influences can often be seen in their work. After 1913 she began, "combining the layout of Nampeyo's Sikyatki Revival style with elements from Acoma and elsewhere." By 1925 Tonita was at the peak of her career. Her early death in 1945 left only a small amount of creative and innovative work that still inspires us with a unique use of varied Native designs from pre-historic to regional influence. Dominguita Pino Martinez (1860-1948) and Santiago Martinez were the parents of Antonita, as she was known. She changed her name to Tonita Montoya when she married her first husband and Tonita Roybal when she married her second husband, following the death of her first. She would continue to be known as Tonita Roybal after this second marriage in 1916. Tonita and Juan Roybal had four children: José Ramos Roybal, Marie Roybal, painter J.D. Roybal and Potter Margaret Lou Roybal. Reference: Pueblo Indian Pottery: 750 Artist Biographies by Gregory Schaaf.
    About the collectors in the family:
    I think my grandparents George & Anna Siemantel acquired the majority of the pieces. She loved the pottery. He rugs & jewelry. He had an auto dealership during the war and did a lot of trading in NM. He also was foreman for the railroad roundhouse in Las Vegas NM. (He was from Topeka KS and she from Ft. Madison IA) In addition, the two of them and my great uncle, Phillip Schlapp owned a ranch in NE NM. It is now the Elliot Barker Girl Scout Ranch at Angel Fire NM. Phillip & Anna were 2 of 7 siblings. One of the other sisters taught in Watrous NM. And she & her siblings traveled in the summer. I think a lot of the baskets were their acquisitions.
    Also my mom & aunt Margaret knew Mabel Dodge Lujan & there was a connection to Frida Lawrence. But darn! I remember talk when I was a kid. Wish I'd had more of an idea of the interest. I remember my aunt's excitement sharing with my mom that Mabel had written to her.
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